30 Mar 2009

Lights, camera, action.

 

 

I have no idea what time it is. I didn’t know whether I was meant to put the clocks forward or back, and that was a couple of days ago. But I do want to keep some track of Time here.

March has seemed rather quiet, especially for a month renowned for its characteristic winds of change, like the one’s which tore down my fences last year. But I have been active creatively. In fact, almost non-stop.

March evenings have found me in my studio, firmly attached to my glue gun (often quite literally), constructing sets for the next round of promo videos I make for a musician friend. It’s a refreshing challenge, responding to someone else’s creation. I can construct the sets quickly, like “action painting”, then modify them whilst checking the composition, getting everything ready before the performer enters the shot.

See finished video on THIS LINK.

All text, pros, photos & artwork, copyright Ian Gordon Craig.

4 Sept 2008

summer sketchbook 2008





Top to bottom: Nottingham City Centre, Nottingham Castle Bandstand, Colston Bassett Church, Carrington pub, Clumber Park.

All artwork copyright ian gordon craig

1 Aug 2008

Perlethorpe Church

 

I made a drawing of Perlethorpe Church in a very small sketchbook, whilst sat amongst the Duke's graves. Then in my studio I made an acylic painting from the sketch, on stretched brown wrapping paper. My intention was to make an expressive piece, avoiding all photographic references.

EDIT: I returned to this subject, and this view, in January 2017. See THIS LINK.

 All text, pros, & artwork, copyright Ian Gordon Craig.


20 Jul 2008

Jazzed.

 After a day walking in Thoresby Park and a night of live jazz at the Bell Inn, Nottingham.

Jazzed (a.k.a. I’m not even pissed).

Sand in the sandwiches,
Wasps in the tea,
Panini cheese dribble-rush
On relish toast rye.
Not I, café fly,
With my fake plastic eye,
I’m not even pissed.

Too high to climb,
Too low to fall,
Pussy willow forest
Catkins on the floor.
Thoresby lakeside antics,
Budby Tea shop antiques,
I’m not even pissed.

I stopped the drummer on the staircase, to express my admiration. He looked familiar, like someone I’d performed with. Probably not. I also wanted to express my appreciation to the singer, standing at the urinal  in gent’s toilet solemnity, but decided it wasn’t the right moment. Later he expressed his own
On mic appreciation
Of my collection glass donation
To his jazz band cornet cause.

And earlier to the barmaid: “Was that you singing and playing piano last Wednesday?” She acknowledged it was, unsure of my intentions. I told her how I’d enjoyed her set, and that I felt she deserved greater respect than she had been shown. And I’m not even pissed.

I’m not here to lie.
I’m here to climb trees,
I’m here to whoop with delight,
I’m here to watch blue-haired torn tights
Drunken nights college girls
Groove to the moves
She didn’t know she knew,
After her misspent childhood of Britney.

But she’s finding it now.
Her body sways,
Oblivious to the room around,
Brass jazz sound surround,
She sways in time,
Discovery sublime,
And her coin in the glass
Lands on mine.

Remember what that was like when you wake tomorrow. Don’t forget.

Sand in the sandwiches,
Wasps in the tea,
Words on the painting
Bo Diddle Eee.
Blues in the garden,
Mandolin Street,
Reds in the relish,
Beat root sweet.

There are no zombies on this bus.

copyright ian g craig

 An updated version of this poem would be published in my book "46 Contemporary Poems".

15 Jul 2008

Last Night. (A homage to Adrien Henri).

 Last Night.

 

 Last night

Ten thousand silent movie fans rose from their graves,
To chase the blackened corpse of Al Jolson from their hallowed ground.

Last night

Mini-tubes of Cerulean Blue paint substituted for Smarties in primary school playgrounds across the County,
Whilst correction facilities corrected homeless people's homework,
And rehab centres shared Cleopatra's needle with my youngest nieces.

Last night

Microsoft bought curtains for Windows 7 from a sweatshop on eBay,
As Coalition Forces napalmed grey haired donkeys on Skegness beaches,
All in the interest of National Security.

Last night

Wall Street crashed into a number 47 bus on Parliament Street,
Causing Stock Market Square to drop by 40%,
Whilst my pile of rejected paintings reached critical mass.

Last night

A young woman with perfect breasts
Decided to fasten an extra button on her shirt and buy her own fish and chips after all,
Obscuring my vision of lost summer memories,
Taking a moment to cry.

Last night

The couple at the next table held long conversations with their dog. In English.

Last night

An unused ticket for the Sydney Opera House fell from my second hand paperback.

Last night

The bonneted barmaid ate the supper which management provided,
Whilst Phil Spector's Wall of Sound remained silent,
And another legendary pop star actually died.


All text copyright ian g craig.

 An updated version of this poem would be published in my book "46 Contemporary Poems".

10 Jul 2008

Muse and me.

 Muse and me.

My muse has always been of a type rather than a specific. To see one’s muse with clarity would be to chase it away. I know. I’ve lost a few. I do however know her voice, holding conversations in my mind, exploring ideas, subtly encouraging me to “just do it”. Sometimes too subtle. But, if she simply told me what to do, I’d stubbornly fuck it up like a child when told to tidy his room.

“You’ve stubbornly fucked up a lot of things”.

Ignore her. That’s simply not true. It’s just the kind of stuff she’ll come out with to get me started. I don’t want to argue with her right now. Good things can come of arguments, but they can also be so tiring when carried out in the arena of one’s own mind.

She wandered in this afternoon, sometime after the point when I discovered I’d once again bought the wrong tub of “wall filler”, one not suited to the current house renovations. I can’t seem to get on with the job. I think maybe it’s the disruptions to the house that have both unsettled me and stirred the ghosts.

“Tell about the ghosts”.

Well, it’s nothing much, but as I transform each room, I can’t help but recall what they looked like in previous times, and the things which happened herein. There are a lot of memories attached to each corner.

Her silence becomes tangible. Maybe that’s why I question the worth of my ideas more these days. This month in particular I've been far less confident. Ignore her. I shall write what I set out to write.

“That’ll be a first”.

Harsh. I always write what I set out to write. It’s just that I don’t always keep it. That’s my dilemma: Desiring to shout out loud, but impeded by an equally strong urge to hide beneath the duvet. Anyway, this post was originally intended simply to be a summary of July. But what to say?

July was
Too much wine, too much rain.
Detached, distant and deleted.
Or did I already say that about June?
Deleted.

“Deleted?”

Almost deleted. July is always disappointing after the promises of June. It never lives up to the advance hype bestowed upon it by the fanciful machinations of my mind. Apart from a few notably enjoyable distractions, the calendar above me reads like a series of appointments to be kept rather than a life to be lived.

“Like going to the dentist?”

Exactly. And that’s on the 15th to be precise.

“Admit it, you’ve missed me”.

Well, it’s been a while. My fault entirely. Stay.

“How can I not? I am always here”.


All text copyright ian gordon craig.

7 Jul 2008

Newstead Abbey Fountains


 I returned to Newstead Abbey, where I came two years ago to make studies for a painting. (THIS LINK). This time I didn’t choose the building as my subject, but rather one of the fountains instead. I think the result is much better. I really like painting with acrylics on stretched brown wrapping paper, but then worry that, if it sells, it might be rather too frail to last through the years in someone else's possession.

All text, pros, photos & artwork, copyright Ian Gordon Craig.

5 Jul 2008

Then Call the Fire Brigade.

 Then Call the Fire Brigade.

-The photo albums; the paintings; the recordings of me. Then call the Fire Brigade.

Before the Sunday morning mirror: White cotton, top and bottom. She turns for a side profile. Up on the toes, enhancing the calves, just so. Checks out the curve of the spine, just so. Hands smooth the stomach flat. A flick of the finger positions the elastic into just the right place, just so. Once more up on the toes. Sunday morning mirror ritual, just so. She sees I’m awake and watching.

“Did I wake you?”

- Toasty soldiers and tomato soup mugs in bed.
- Fried beans in Rainworth.
- Bridlington fish and chips.
- Goose Fair Doughnuts.
- Liverpool Sushi.

“Did I wake you? What are you writing?”

She makes no request to read it. Kindred spirits indeed.

- Spirits: Vodka, spiked and not stirred. Beyond the whirling pit and into the realm of vertical jumping picture interference. Any level beyond that is simply marked “unknown” on the map.

- Beer: Newcastle Brown. Whirling pit only, but with a shaft of light from the door onto upright posture in bed, with drooling jaw over yellow plastic bucket trimmings. Attractive.

Last night, like every night, in those moments when cautious reservations float down the safe duvet valley between reality and sleep, she had made plans: Take a chance; step forward; seize the moment.
This morning, like every morning, those plans disappear with the shower gel down the drain. She dresses for the day, as a shroud of tiny hesitations slip back into place. Life for her continues to be filtered like sunlight through net curtains, somehow once removed.

-The emerald green diary; the aspidistra she gave me; then call the Fire Brigade.

“If you go on staring at those nets, you’ll wear a hole in them.”

Rowdy and Clint reached the bridge. Clint said “Have you still got that chocolate egg in your pocket?” Rowdy turned pale. Only two minutes from the shop and already he’d forgotten about the egg. He’d only taken it for a joke. The old lady was always so slow coming to the counter, he’d snatched it from the display and into his pocket to make Clint laugh. He had no intention of stealing. He’d never stolen anything in his short life. He anxiously gripped at his pocket, wishing the egg shaped bulge would somehow just not be there. But it was.
Trying to explain to Clint the innocence of his intentions, he threw the cream egg as far as he could down river. Quite an impressive throw for a young cowboy not known for any particular sporting skill beyond maypole dancing. Then, hoping all feelings of guilt would travel as quickly as the egg downstream, they mounted their imaginary ponies and galloped away.

Before nightfall Clint snitched on his partner. Rowdy was sent to bed without being allowed to watch “Rawhide”. He would have preferred a smack and got it all over with.

“What is it you’re writing?”

-The sketchbooks; my kid sister’s hand print; the signed Everly Brothers CDs. Then call the Fire Brigade.

If there was one person I strived most to catch as she dropped towards the rye it was Ruby. But she always faltered at the last minute, stepping back from the edge. Did she lack the courage to take the plunge? Or did she lose confidence in my ability to catch her? I would have made the catch. I really would. Anyway, I wrote a song about her.

“Tell about that initiation thing that happened at the newspapers.”


-It wasn’t the newspapers. It was the place which printed the
newspapers.

“Okay, tell about that.”

-I never tell that.

“You told one person.”

-Yes, and she told about fifty!

“Not that many. I doubt she had fifty friends to tell. Anyway, I wouldn’t let it bother you. It probably marked you down as a hero.”

-It doesn’t bother me. It’s different for guys.

“Weren’t you embarrassed?”

-I just went along with it for a laugh. A good sport; one of the crowd and all that.

“Do you reckon it still goes on?”

-No. The printers closed down, and nobody uses those little letters for printing anymore.

- I had a John Bull printing press like that once. Perhaps I should include that with the black plastic hairbrush; the stone bird table. Then call the Fire Brigade.

Sunday morning comes around, its mirror in the same place. White cotton, top and bottom. She turns for a side profile, checking the curve of her spine. Hands smooth the stomach flat, just so. Once more up on the toes, enhancing the calves, just so. A flick of elastic into just the right place. Sunday morning mirror ritual. Sunlight filters through the net curtains. Like life, somehow once removed. She sees I’m awake, watching.

“Did I wake you?”

-Sundays are different from other days of the week, but not special enough for my list.

“What are you writing?”

- Call the Fire Brigade.



All artwork & text copyright Ian G Craig.



2 Jul 2008

Words.

 Words

White.
No, blue.
Then white (with a sun roof).
Then blue.
A darker blue.
Then black.

Ketchup, not Brown Sauce. (Except on bacon).
Chinese not Pizza.
Fried not boiled.
Beer not wine.
Oils not chalks.
Pubs not clubs.

“It’s all over the carpet now. Your bed is like an island.”

- I know.

“If you get off the bed it will stop.”


- I don’t want it to stop. Not just yet.

Shared silence not inane chatter.

Was it something I said?
Did you draw that?
How long did it take?
What is the name of the tune that goes
Do you know the way to San Jose?
That is the answer.
What was the question?
Was that someone at the door?

“You could change the rules. Make it that it stops only if you go out the door, but not if you just get off the bed.”

- No. The game monster will know.

Angela Bishop’s socks, worn thin at the sides from the constant tugging of her thumbs.
Red fuchsias in a green box.
A tin RSPCA badge.
A caravan in Mablethorpe.
Sleeping on the very edge of the bed pretending it was a branch.

“Do you remember that night in Liverpool when you took that decongestant for a cold? You said you could hallucinate at will, and control the entire content of your dreams. And you had a medical examination the next day to qualify for the profession.”

- Yes. It’s a bit like that. I doubt that stuff is still legal. Are you going by a chemist today?

I’ll see you in my dreams.

There’s someone at the door.
There’s no need for all that.
There’s nothing anyone can do.
Didn’t you used to be?
At the third stroke it will be.

People only accuse you of trying to be clever when you’ve completely out smarted them.

T.V. Comic.
Then Lion.
Then Billy Fury Monthly.
Then the N.M.E.

One in 3,700 Kit Kat bars have no wafer. Make a wish if you find one to find another one. Then wish again.

The first picture I got on a wall was of Africa. It was just a tree surrounded by grass, but the teacher said it looked the most like Africa because there was no jungle. I suppose the Tarzan books must have lied to me. I lied about Lion Comic earlier on. Both Biggles and Tarzan came before that. 

My first oil painting was of a sunrise. I’d gotten up in the early hours of the morning to go to the toilet, saw the sunrise, made a quick sketch of it, got up later and painted it using the box of oils I’d got for Christmas.

I can’t quite put my finger on it.
It plays on my mind.
It gets on my nerves.
It’s on the tip of my tongue.

- What will the first comment be on my blog?

“I don’t know. What does it say in the first few lines?”

- Just a list of colours.

“Then the first comment will be about someone’s favourite colour.”

- I could put that bit nearer the end, only there’s no end in sight.

“I hope you’re going to pick all that up after you.”



All artwork & text copyright Ian G Craig.


15 Jun 2008

Ms Desperately Seeking and Mr Upwardly Mobile.

 Ms Desperately Seeking and Mr Upwardly Mobile.

Ms Desperately Seeking contacted Mr Upwardly Mobile via telephone. She, a teacher of the English language in the empty space where the midlands mining community once stood; He, still reeling from a head on collision with a hermetically sealed family of four and their cunningly booby-trapped daughter of a lunchbox.

Ms Desperately Seeking Someone made the first call, that’s how these things work. Mr Upwardly Mobile Sought-After, decided on the place. “But how shall I know you?” “Oh, in these situations, people always spot each other”. And so, the date was made; a try anything once, smart but casual distraction to help ease the pain of solitary living. And why not?

But what to wear? Ms Desperately Seeking decided on her off-white, trouser-legged, one-piece, zip-up jump suit, designed for maximum coverage and protection in sensual combat, whilst concealing the self-conscious economy sized legs that matched the paintwork of her economy sized teacher-mobile, the latter for which she had saved the original box knowing it would be worth more to collectors one day.

Mr Upwardly Hopeful, but horizontally inclined, elected for white shirt freshness with a pair of snug but subtle fit black cords; a naughty but nice mixed message of opposing tones. Blame it on the Boogie. “Do you come here often?” He was about to find out.

Whatever happened to conversation? Whatever happened to butterfly hands in hands on the first walk home? Whatever happened to under street lamp embraces? First time tastes of a stranger’s lips? And more to the point, whatever happened to the coffee he had made her?

Ms Desperately Seeking Action suddenly swept up and set aside their two cups and plate of custard creams with gingers, as if the FBI were about to raid a Casino and all evidence of gambling had to be concealed. Stooping to place said culinary delights on the not-a-drop-was-spilt carpet, she took a deep breath and began to consolidate her position against his lower regions, rapidly breaching the black cord zipper wall of defence about his thighs.

Mr Upwardly Mobile, now more upward than was even usual, froze like a rabbit in her head lights; a water buffalo staggering under the inevitable conclusion of the lioness fangs. Looking down from this position, he saw no point in even attempting a reciprocal advance against her trouser-legged one-piece. He had thought another custard cream might have been nice, and suspected a crumb still lingered on his lip, but concluded it was probably uncool to wipe it off right at this moment. Just sit back and think of Scotland. Take it like a Clan.

Ms Desperately Gasping for Air soon emerged from his lower regions, pleased and smiling from her inspection of the goods before making a purchase. Grading things as teachers are won’t to do, she awarded it a 10. Then, deftly pinning her prey with one arm whilst reaching for the gingers with the other, she extended him the plate:

“I’ve been wanting to do that all evening. Would you like another biscuit? Take your mind off it for a few minutes?”


All text copyright ian gordon craig.



47

 




I’ve always wanted to pursue Abstract Art. To this end I decided on an experiment: Make 47 images, one per day, all composed within the same grid. The above shows 12 of the 47 results. 

All artwork & text copyright Ian G Craig

18 Oct 2007

Robin Hood’s Stride.

 


My ill-fated adventure to see the Nine Ladies stone circle, could have dissuaded me from venturing back to Derbyshire in search of Robin Hood’s Stride, another bronze age monument. Happily, it did not.

Much easier to locate than the Nine Ladies, though no less a test of one’s fitness, I reached the tip of Robin Hood’s Stride with no mishap, and set about gathering resources with sketchbook and camera. It’s only afterwards that one looks back at the video and thinks “What if I’d fallen? Who would have found me?”

Video: Robin Hood Stride.

I am pleased with the pastel sketches I made. Perhaps there’s a style / technique here I could return to?


 All text, pros, photos, & artwork, copyright Ian Gordon Craig.

2 Oct 2007

Elvis in Skegness & Cheese and Chalk.

 Elvis in Skegness.

They're selling postcards of Elvis
All across new Skegness,
Alongside Betty Boop trinkets
In a state of undress.
And where "Kiss Me Quick" hats
Were the sauciest fad,
Now hang day-glow beach towels
Reading "Fancy a shag?”

Cheap Cherokee Injuns
Cast in plaster and brass,
As if their tepees were pitched here
In long ages past,
Replace Fisherman mascots
And lifeboat appeals,
Southern fried chicken menus
But no jellied eels.

And did those blue suede feet,
In ancient times,
Walk upon England’s
East coastline?
And was the King
Of shake rock and roll,
Along our Skegness Pier
Seen out for a stroll?

I did not come for Jerusalem
Just the England I know,
Stick rock candy and chips,
Not USA Tupelo.
Saucy postcards, cramped caravans,
Plastic sandals, salt sea,
Tin bucket sand castles,
How things used to be.

Cheese and Chalk.

I sit in silence
Whilst you always talk,
Defining the difference
Between cheeses and chalk.

All text copyright Ian Gordon Craig.

 Updated versions of these poems would be published in my book "46 Contemporary Poems".

1 Oct 2007

Tower Cinema, Skegness.

 

After collecting my painting of Skegness’ Tower Cinema, from Thoresby Gallery's absurd idea of a “Salon des RefusĂ©s”, I have made some changes. Originally it featured a second figure walking towards the front of the composition. It’s much better now with just that solitary girl.

The painting is about the passing of time, as symbolized by that sunset going down behind a building that has looked much the same through the decades.  I do think my reason to start visiting Skegness for annual day-trips, was something to do with looking for old England, a country I would recognize from childhood, or at least those years before full time employment took over my life.

 All text, pros, photos, poetry & artwork, copyright Ian Gordon Craig.

20 Sept 2007

Thoresby Gallery.

 


Thoresby Gallery had the ridiculous idea of using the end section of their gallery as a Salon des Refusés. In mid-19th century France that term heralded a revolution in Art, here it's just an area where they've placed all the entries they've actually rejected. All of my submissions this year were rejected, one to be propped up on the carpet, one hung on the wall. If they are showing them to the public, then they are surely accepted. It makes no sense to me.

All artwork & text copyright ian g craig.

13 Sept 2007

Love Poem for the Lone Ranger & The Betjeman Blues.

 Love Poem for the Lone Ranger.

Two small eyes from the blankets
With a much larger name,
Watch the flickering night candle
Of a Kelly Lamp flame.

Is your Daddy still working?
Do you look for his lights?
Does your Mommy sound restless
Downstairs in the night?

In a place known as somewhere
You can rest quite assured
There'll be safety in numbers
Chalked across a blackboard.

On a black and white TV
'neath the first satellite,
The Lonely Lone Ranger
Holds Tonto so tight.

 

The Betjeman Blues.

White shorts in the rock pool,
A seaside east town,
A bed-sit for two,
With furniture brown.
Crazy golf gripping fingers,
Crazy slot machine clown,
These Betjeman blues
Are bringing me down.

A sea salt sun memory,
Tanned legs against blue,
Of sand in the bath tub,
Of me inside you.
Crazy candy floss feeling,
Crazy joy ride fairground,
These Betjeman blues
Are bringing me down.

 All text copyright ian g craig 

These poems would be published in my book "46 Contemporary Poems".

13 Jun 2007

Patchings Gallery 2007.

 

 

I have the first of my planned oak tree paintings accepted by Patchings Gallery, and subsequently sold to an internet friend in Canada. So that's one piece shown last year at Thoresby, and one this year at Patchings. Promising!

All text, pros, photos & artwork, copyright Ian Gordon Craig.

1 Jun 2007

Grandpa.

 Grandpa

 The boy craned over the top of the old sewing machine which always stood in front of the sitting room window, obstructing his view of the garden gate beyond, looking to see if the old man had yet arrived. It was Sunday. The old man always came on Sundays, in his Grey Morris Minor with chrome detailing, and orange indicators that flipped out from the sides like flags.

The boy would retain no memory of the old man actually inside the house, only outside, alighting from the car, pipe in hand, a distinctive yellow cravat about his neck. Neither would there be any memory of words the old man might have spoken, apart just the once:  

“Little boys should not make a noise when they’re eating”.

The boy had been sure he hadn’t made any such noise, but the pressure of being told not to do so made it hard to balance the pees on the fork. And there were other rules when visiting the old man’s house, like “little boys should not make a noise when old men are sleeping”. There could be consequences.

And yet the old man’s name would be invoked every Christmas Eve, his birthday, and be spoken of as a Saint. A onetime St John’s ambulance driver, the mender of miners’ bodies broken by machines.

Time passes.

The boy strained to see the old man tied at the waste into a hospital armchair; no chrome detailing; no orange indicators sticking out from the sides; no pipe, no yellow cravat. The old man wanted to go home to die, but the rope prevented him from either attempting the journey or simply falling out.


All text copyright ian g craig

30 May 2007

The Clootie Tree and the Stone Circle.

 

 

I’d never heard of a clootie tree, and even if I had I wasn’t expecting to come across one in the lower levels of the Rock Cemetery in Nottingham.

Research tells me they are trees, usually situated by a Celtic well or stream, on which people make a wish as they tie wet strips of cloth (ribbons) to the branches. Such wishes are commonly associated with wanting someone healed.


The Nine Ladies stone circle, on Stanton Moor, Derbyshire, dates from the Bronze Age. A fellow blogger advised me to go look at it when I was pontificating over possible subjects to paint. My trek there was a strange one.

Firstly, the place is hard to locate, and locals I spoke to were uncertain as to its exact whereabouts. I drove up the hills as far as seemed possible, before leaving my car by the roadside and proceeding on foot through a field of cows and along the woodland paths. Amongst the trees I came across makeshift tents, old caravans, and even some tree-houses, but no people. Apparently, these were the habitats of those protesting against possible mining in the area. So, I was somewhat surprised when a beautiful “hippy” girl stepped out before me as in a vision. I asked her the way to the Nine Ladies and she silently pointed to a path leading further up the hill.

It was only during the final few steps up the summit that the Circle came into view. First impressions were disappointing. The stones are only about 24 inches (60 centimeters) high. But the legend is intriguing: Nine ladies were caught dancing around this spot on the Sabbath and turned to stone as a consequence of their sin. Indeed, one can see human shapes in several of the stones. I took my photographs and left.

I have an awful sense of direction at the best of times but, for whatever reason, I totally lost my bearings and exited the site along the exact opposite path I should have taken. After a while, with the sun going down, and knowing the car was left unprotected, I became quite flustered. After walking a good distance, I had to accept I was totally lost, and needed to try and retrace my footsteps to the Circle, and start again. This I did, as the evening sky grew ever darker.

Once back at the Circle I realized my mistake, and managed to descend the hill along the correct path, negotiating the field of cows, and reaching the sanctuary of my car. It was a rather unsettling experience. Quite strange. The resultant painting may be poor, but the day itself was a memorable adventure.


All text, pros, photos & artwork, copyright Ian Gordon Craig.

5 Apr 2007

Hockley, Nottingham.

 I am thinking some Nottingham based subjects might prove popular? This is Hockley, Nottingham. It's kind of the "arty" quarter of Nottingham, where "alternative" fashions favour a more Goth look, amidst wine bars and the nearby Art Foundation College. I am not too keen on the resulting painting though. I seriously need to work on my colours, since abandoning my more subdued palette of the 1990s.



 All text, pros, photos & artwork, copyright Ian Gordon Craig.

15 Feb 2007

The First Pearl & Poem to an Air Hostess.

 The First Pearl.

In a time of quick fix and quick fortune,
When all I could take came for less,
Pleasure came from the grace
Of dark strangers in lace,
And the hands of the girls at the press.

As a boy all my heroes rode horseback,
Broad white hats marked the good from the bad,
But now far less defined
Are these things in my mind,
Far less clear is the choice to be had.

Young dark creatures of night kept their faces from light
And took turns to unzip and pretend,
In the back seats of cars
With one eye on the stars,
They compared what they shared with their friends.

So, the word spread through distance and cables
As I slid through their hands and their sheets;
A cuckoo in disguise,
Every whim gratified,
So secure in the hand that it feeds.

Then one cautious crisp grass Sunday morning,
On a secret spilled sidewalk up town,
I stepped out with a lover
Quite unlike any other,
And embraced as defenses came down.

And from the first nervous reach of my fingers
To the last gasping sounds of sweet breath,
We surrendered in smiles
To a common life style,
Both imagined that this was 'till death.

She was not the first Ruby in my dance
And of course, she was not the first girl;
She was not the best placed
When romance turned to race,
But for me, she was the first Pearl.

Love Poem to a Hostess.

Forget me not,
Miss Crystal Blue C,
As you soar through the skyways
That released you from me.
Cure the sky of its blues,
Bathe your eyes in its hues,
And keep precious the one thing
You've taken from me.

Don't look back at the ground,
Miss Blue Jean in C,
At dull road sign directions
You're not destined to be.
Let your silver winged graces
Leave white trails and traces
To fade in the sunset
Now setting on me.

All text copyright ian gordon craig

 These poems would be published in my book "46 Contemporary Poems".

2 Nov 2006

Thoresby Gallery

 

"Sunflower Seeds". My first painting to be exhibited since leaving full time employment, though I'm happy to say there were many in the past.

This meant a lot to me. Thoresby Gallery is a short walk away from Perlethorpe Primary School in which, as a child, my first paintings were once pinned on a wall.


All text, pros, photos & artwork, copyright Ian Gordon Craig.

20 Jul 2006

A Figure on the Beach & The Gift.

 A Figure on the Beach.

The sun is low, the summer season passed.
Pale knee reflections in multiple rock pools,
Are caught and left stranded by the retreating sea.
Headscarves, hitched-up hem lines, and much stooping,
Peering into puddles, whilst lover's cuddles
Cast lengthening shadows across seagull screech beaches,
Their toes pressed in cold sand.

Everything feels distant on an out of season shoreline.
White-grey light shimmers from the ripples,
The coastal breeze sketches the edges
Of her autumnal silhouette against the skyline.
Colours fade as the amusement arcade falls silent
Behind padlocked shutters, to return next summer,
Like a much-favoured toy from its box.

Circus posters in the streets are fading.
Local residents are now reclaiming their town
From departing holiday makers, dodgem car shakers,
As she leaves the sea's breakers for the comfort of a cafe.
And then, tea for one, maybe a warm scone
“With a small jar of jam on the side?”
“I shouldn't really, oh go on then”.

She sits alone, looking beyond the window glass,
Her mind focused on something past,
Another season, long ago.
On an out of season seaside beach,
A solitary figure and a silly dog.
The kind of dog that seems to belong to everybody,
Just for one day.

 

 The Gift.

Tick tock from the mantelpiece
Measuring time,
A gift from the council
At the end of the line.
Forty years loyal service,
Giving his best,
A gift from the council
Now measures what's left.

Chimes through the household
Punctuate every hour,
A gift from the council,
Mini mantle clock tower.
The day passes slowly
To its soap opera end,
A gift from the council,
A clockwork cold friend.

 All text copyright ian gordon craig

These poems would be published in my book "46 Contemporary Poems".

6 Jul 2006

Skegness, first trip.

 



 

There was a real sense of exhilaration upon leaving full-time employment. Partly in the realization that freedom extends beyond the weekend; partly in the challenge of what to do next; partly in thoughts about those times and places I once knew before adulthood took me away, wondering what they must be like today.

As a child I never went to Skegness, but I think it might now become a place for annual day trips. I am lured by the sense of nostalgia which permeates all British seaside resorts. These sketches are just the preparation for a painting I am considering.


All text, pros, photos & artwork, copyright Ian Gordon Craig.


27 Jun 2006

Newstead Abbey, first attempt.


 Newstead Abbey, one of my first locations as a subject for painting after leaving full time employment. I am struggling with colour.

The oil pastel studies below (one showing the view from behind the waterfall), were more successful.


All text, pros, photos & artwork, copyright Ian Gordon Craig.

1 Jun 2006

Oak trees and late night thoughts.

 


Oak in a clearing.

Her life spans centuries. In death she provides sustenance and shelter for a myriad of creatures. Her timbers once put roofs over English halls, and the keels of galleons which carried both the literary delights of Shakespearean culture, and the terrible blood lust of Crusading soldiers, across the globe. All beauty is scarred.

Now she stands alone, isolated within a forest clearing created by a lifetime of casting shadows on those close by. We could learn from her example.


Late night thoughts.

 
Tick, tock.
It's worth being up late just to hear the ticking of the clock, unspoiled by the constant soundscape of urban life. It's the big white one through the square window above my head. My mother once said I would never be alone as long as I had the tick of a clock to listen to. I suspect that was a voice of experience. But my child's Timex wristwatch had a very short life span. Now, being alone is fine. Feeling alone would not be fine. Thankfully there have been very few times I've felt the latter.

Tick, tock.
Creativity is like a companion of sorts. It occupies your thoughts like a cerebral conversation, your mind exploring the possibilities each idea presents. And then at the end of it all there is this whole new creation, occupying a space where nothing previous existed. "A companion" is the closest I could ever get to a description of "doing art". It's like you were born with a double, but that double is only there, making you feel complete, when you’re creating something.

Tick, tock.
I bet the two old ladies in the white cottage opposite my childhood home, who had button boxes and tin tea caddies on the mantelpiece above their log fire, listened to the clock of an evening. Or maybe the radio? We only ever listened to the radio on a Sunday lunch time: "Round the Horn", consisting of double entendres I was far too young to understand, but which sounded hilarious just the same. Radio was mostly a holiday event for us. Me and big sister in caravan bunk beds, with Radio Luxembourg phasing in and out: "When the mist’s arising and the rain is falling, and the wind is blowing cold across the moor, Johnny Remember Me”.

Tick, tock.


All text, pros, photos & artwork, copyright Ian Gordon Craig.


29 May 2006

White Lace and Sleep Now & Shirt Tails in the Rain.

 White Lace and Sleep Now.

Paper chase highway, Pixelated night breeze,
Can't break the habit, Cold turkeys do time.
Heart on the handbrake, Lust in the fast lane,
Chasing the fade, to the end of the line.

Crows on the skyline, Call to the fox wind,
Clouds on their journey, Yellow stone sky.
How can I find you? Footprint disclosure,
Welcome sign doormat, Linoleum grime.

Two sides to the story, No end to the circle,
Four beats to the bar, One word to the wise.
A child born on Wednesday is woeful and weepy,
A tambourine someplace, Plays out of time.

Empty like clear glass, Lost on a bookcase,
Rain on a Tuesday, In market stall lines.
Caught between conflicts, Eyes in the headlights,
White lace and sleep now, Nevermore mine.

 

Shirt Tails in the Rain.

Yesterday's child shakes the rules and runs wild,
Shakes her tips from the boys at the bar.
Spends her night on the street, where she's trained in deceit,
Spends the day with her dolls and her Stars.

Did you fall so from grace someone's taken your place?
Did you think yourself safe in his arms?
Don't you think it's a crime someone wasting your time?
Did you place so much faith in your charms?

She parades her self-fix like a fake crucifix
And the snow howls like ice through her veins,
But it won't free her mind in the cold winter time,
You might think that she's lost, but she's lame.

Oh Jane, in your bold shirt tail stance
Can you make jewels dance in the rain?
Or would your feet turn to clay
If you heard pipers play
"Will Ye No Come Back Again?"

copyright ian gordon craig

These poems would be published in my book "46 Contemporary Poems".

 

28 May 2006

Colour!

 

 

All the paintings I exhibited during the 1980s / 90s were made using a very restricted palette: Alizarin Crimson, Yellow Ochre, French Ultramarine, and Titanium White. Perhaps now is a good time to start exploring Colour.

Below: It was so nice to sit out in my own garden, no work to go to, sketchbook and oil pastels in hand.


 All artwork and text copyright ian gordon craig.

19 Jan 2006

A New Beginning.

After resigning from teaching.

 The January sun never quite reaches the patio doors of my modest two up two down town house on the edge of the city, but rather reflects off the red urban brickwork opposite, to cast its orange glow throughout my lounge. It is a Monday morning, but one unlike any other Monday morning that has gone before. Normally, at this early hour, on the day which traditionally heralds the start of the working week, I wouldn’t be here, and it’s hard to shake the feeling that I should not be.

As I go from room to room each one feels like it is harbouring the same sense of confusion: Why was the alarm clock silent? Why no radio? Why no hiss from the kettle nor metallic spring from the toaster? The click of the key in the lock? Or the clang from the garage door? Today these rooms are wondering what the hell I'm doing here and perhaps, just for a moment, so am I. Monday morning's carpet is an unfamiliar place for my bare feet to find themselves. Indeed, the whole house seems so very unfamiliar on a weekday; so totally silent, as if it's been caught out in some act of great secrecy.

Taking to my seat in the corner of the lounge by the staircase, I press “start” and my computer stirs to life, causing Google's homepage to further illuminate the room in readiness for a coffee and laptop breakfast time. There are no emails, and I’ve never really been sociable enough for social media. So, I swivel my chair around to further peruse this environment I’ve owned for a couple of decades but never yet felt I’ve truly lived in.

The CDs along the shelves present themselves in orderly straight rows, precisely arranged according to artiste. Apart from their silence they remind me of the rigid rows of passenger seats I once sat amongst at this time of day on my way to work, or the formal rows of desks I was responsible for once I arrived there. I wonder if the people on the bus, or those seated at their desks, are now wondering where I am? They still having a clearly defined purpose in life, whilst I wonder what mine might now be. It's been a long time since I had the sheer luxury of Time; the time to sit awhile and truly listen to those CDs, feasting my after-work ears with glorious music. But for the moment I decide not to disturb their plastic perfect display, just in case I’m mistaken and this place is not actually mine after all. Instead, I address the room and its contents out loud: “Don't you remember me? I'm the person who used to live here. I’m the person who used to live here and paint like fury over the summer months, blinds drawn against the sun. I’m the person who actually used to exhibit my art”.

The first sound to break the room’s silent response came with the morning post. Although startled for a moment, I do like the sound of letters as they tumble through the letterbox, and I wonder if they’ve always made that same sound across the years when this house was empty of a weekday, with no-one here to receive nor hear them. I like letters. Opening a letter is like opening an oyster. Sometimes you find a pearl. But only sometimes. I think maybe last night’s dream contained a pearl; a pearl of wisdom.

I dreamt I was walking across the village green at the place I used to live. In the centre of the green were people I once knew, all engaged in a game of cricket. When I approached, they greeted me as if little or no time had passed at all, handing me the bat and saying “We were wondering where you’d got to. Come on, it’s your innings”, and all of them most eager to resume a match my absence from which had apparently caused a delay. The irony is that, not only have I never played a game of cricket in my life, neither have I ever indulged in sentimental visits to people or places past. The saying is true: “You Can’t Go Home Again”, and neither have I ever wanted to. Memories of once upon a times and “good old days”, no matter how cherished, are simply just that. I believe the “good old days” start every time your first foot hits that early morning carpet. And that’s what I think the dream was all about: I cannot go back, but I can surely reconnect with the person I used to be, the one that even I myself was perhaps “wondering where I’d got to”.

With the sun now a little higher in its crisp blue clear sky, I finish my second cup of coffee, shave, and get dressed. This new life which starts today, permits a favoured and faded pair of weekday jeans, relegating the collar and tie code of my previous profession to the depths of a wardrobe drawer. A new life, like a blank canvas. But what lines to pursue to give it shape, colour, and purpose? I’ve worked on many large canvases in the past, but none as large as this, its size determined only by however many years lay ahead. I am home. I am ready for the new challenge.


All text, pros, photos & artwork, copyright Ian Gordon Craig.

17 Jan 2006

Leaving School.

Leaving School.

Those red brick walls that once caught the sun,
On grounds where friends lay
At lunch break mid-day,
All eager to stay
On the breeze swept, time blessed,
Hips pressed grass.
Where obstacles were run in sporting fun,
By generations past,
Arriving first but coming last.

Where once all would learn are now taught to churn,
Avoiding all risk if it’s not on their list
Of things told to do, and so must exclude.
Adhere to the chill of curriculum rules, making fools,
Keep it straight brained, tepid and tame,
Acceptable styles, all spark but no flame,
All lacking in spice, like safe turpentine,
I copy yours and you copy mine,
Familiar shapes, conventional lines,
It’s all a fake, but not a crime.

Therein now, between corridor doors,
Clip frames display examination board chores,
Showing how to pass mine, same as how to pass yours.
Straying too far from these, like to be a lost cause.
But do not blame, or make any claim,
On souls that now pass, amongst spirits past,
Like sleeping mice behind specimen glass.
They may not share our distress,
They may not stop the press,
But for their moment in time, they will echo no less
Against green brick tile of no particular style,
From infantile child to adult false smile.

They are happy to take what they get from the State,
And show no concern for the cracks in the plate.
If the menu is poor, the salt compensates.
It’s not in bad taste, it’s just sealed in fate,
To arrive on the breeze but leave by the gate.
As for me, there is nothing now barring my way,
Whatever my future, I trust it to fate,
And this final “Goodbye”, it’s not hard to say.

Behind those walls, on oak-dark beams,
Where clock tower dreams
Left names deep scrawled
On creaking boards above the hall,
We silently passed
Amidst Bakelite wells, with ink-black spells
Like dust on glass.
Where once was the present
There now stands my past.

All text copyright Ian Gordon Craig. 

This poem would be published in my book "46 Contemporary Poems".