23 May 2014

Girlfriend or Grapes?

Girlfriends or Grapes?

I awoke in a hospital bed, a young nurse stood on a chair beside my pillow, reaching up to open the curtains which had been shut tight for the previous three days. I have no memory of those three days, and my recovery from meningitis was not anticipated. Still an innocent sixth form grammar school boy, the antibiotics pumped into my system had gathered all the potential pimples from my entire body into one huge pimple at the end of my nose. The nurse took care of it as I blushed with teenage embarrassment.

I am told that at the onset of this illness I had been carried screaming from the house, my language so offensive that an exorcist might have been more appropriate than the ambulance which arrived late. I am also told that, whilst I was in hospital, two school friends of mine arrived carrying grapes. Unable to find me, they apparently sat down on the hospital steps and ate the grapes, before returning to school to tell everyone I had died. This would explain the look of alarm on the headmaster's face some weeks later when I went back to continue my studies.

After my being discharged, a third school friend came to visit me at home. Unlike myself, he had decided against staying on into the sixth form and had started work in the coal mines, an option most grammar school boys in that town took anyway, regardless of the opportunity of further education. We had first met at the back of the maths class. We were both heavily into James Bond novels and secret agents, which explains why, regardless of their being a teacher present, I tried to sneak up behind him and grab him in a headlock. Unfortunately for me, he was already fairly well acquainted with the basics of Kung-Fu, and his defensive karate chop practically took my head off, splitting my lower lip in two. Covered in blood I made a swift exit to the toilets. He followed on behind, worried, but no doubt secretly proud of the blow he'd delivered. The maths teacher simply continued with his lesson as if nothing was happening. From that moment on we were close, hence his visit to see me.

As a young working man, he had now started to earn a wage, and pursue the social life which went with it. In other words, Girls. Therefore his ideas on how to accelerate my full recovery involved something much more potent than grapes. He had fixed me up with a blind date. I should mention here that this would also be my first real date, such being the consequence of attending an all boy's school.

Come the day of the date she and I strolled around the grounds of Newstead Abbey, escorted at a discreet distance by a small entourage of her friends, checking me out as I imagined a Sicilian Family might. Of course, they were not Sicilian, but the mining communities were tight like that.

She was five foot six of a sixteen year old working girl, a striking juxtaposition of jet black hair and bright blue eyes. A factory seamstress by day, a mod by night even as her Midlands working class rocker roots showed through. I was a slight of build sixth former, eager to grow my hair longer than school rules would permit, bored with A-level Chaucer by day, alone at night, sketching, strumming. She was just what the hospital doctor of some weeks previous should have ordered. She jump-started my hitherto dormant teenage years, her nicotine fingers impatient to explore the content of my jeans, taking a firm grip and guiding me through all the gears. I was quite shocked, and I needed to be. She was indeed much better than grapes.


All text, pros, & artwork, copyright Ian Gordon Craig.
 

21 May 2014

Out of the house.

 Out of the house.

I don't really want to go. Cold dark evenings in November are not best suited to trekking up the hill to Nottingham Castle’s art gallery. But what does one do instead on cold dark November evenings? I need to get out of the house more. So I do.

The occasion is the opening night of an exhibition; the gallery a place I myself had shown in a decade ago. But the real attraction for me is that this particular artist's work was some I'd seen in the past, when I was just about to embark on a career in teaching. Back then I was still far too distracted by the superficiality of the night club scene, and not yet painting with any serious regularity or direction. Seeing his work had helped motivate me towards changing all that.

So, I get the bus into town. The market square, decked up for Christmas, is between shifts of daytime skateboarders and night-time revellers. In a pub at the base of the hill I decide on a brandy, its taste somewhat tainted by an extortionate price, and the smell of frying fish permeating the room. But at least I’m out of the house.

Upon reaching the gallery it seems I am one of the first to arrive, then I realise everyone else is in the bar. It gives me a chance to watch the exhibition’s accompanying video without distraction. I like to watch an artist at work. I’m into processes. After the video I decide on a glass of red, compliments of the gallery. Apparently the reason for everyone being in the bar, apart from the obvious, is that they are waiting to hear the speeches before looking at the paintings. The event is very well attended, but I do see an empty table at which one person is sat. I approach.

“Mind if I take a seat?” She doesn't look up. Just raises her book a little more above eye level. I'm not trying to chat her up, although I confess a little female company to share opinions about the paintings with might be nice. Her book becomes a wall. I sip my wine and check out the rest of the room. These are not my people.

The speeches are probably much shorter than they seem, read verbatim from rather dull notes. The artist himself says little. He doesn’t have to. The work on the walls is superb. Just as I remember it. It is almost exclusively “old” work from the late 70's early 80's, depicting a bygone age of a more industrial Midlands. But its merits are undiminished in my eyes.

After it is over I take the opportunity to congratulate him on his paintings. I tell him how I'd admired them years ago in a very small local gallery; of how clearly I remember that night, no doubt on my way to the clubs, snacking for the first time in my life on the gallery's caviar; of how I’d been inspired to pick up a paintbrush once more. That particular small gallery is now a thing of the past, much like the industrial subject matter of his paintings. But it was nice being able to share that memory with the painter himself. He enjoyed it to.

Text copyright Ian G Craig.